Choose Window > Mixer.
Note: Although the mixer displays separate controls for each staff, only staves assigned to unique channels can be adjusted independently. For example, if your brass quintet contains two trumpet staves, both set to channel 1, all mixer adjustment to one trumpet staff will apply to both. If you want to assign a unique channel to a staff, you can do so by specifying the channel in the Score Manager's Instrument List.
The Mixer contains two parts, a master set of controls and a set of controls for each staff in the score. The master controls can be used to adjust the volume and reverb of the overall output much like the master controls on a conventional mixer. The set of controls for each staff can be used to adjust the volume and pan value relative to other staves in the score much like the volume sliders and panning wheels for tracks on a conventional mixer. All settings defined in the mixer are post-processed and applied over the top of MIDI data that already exists in the score score including MIDI tool data, Human Playback data and/or expressions and articulations defined for playback. In other words the mixer doesn’t change the contour of the playback, only the overall output or the staff relationship.
Settings applied to staves in the Mixer are dynamically linked to the Score Manager. For example, an increase to the volume for one staff changes the volume setting in the Instrument List uniformly. The same is true for the other settings.
You can solo more than one staff, if you wish—for example, you can solo two or three staves, and all the others will be silent. In fact, you can solo all staves, although there wouldn’t be much point, since you may as well solo none of them.
If Record into One Staff or Split into Two Staves is selected under HyperScribe > Record Mode, you don’t need to use the Mixer to specify which staff to record into; simply click the staff in the score that you want to record into. If, however, you prefer to use the Playback Controls' Record button (instead of clicking a measure in the score), then you must use the Mixer’s (or Score Manager’s) R parameter to indicate the staves in which you would like to record (note you can use the Score Manager to specify individual layers for recording).
If you’ve assigned several staves to the same instrument, once again remember that they’re all linked to the same Program. Therefore, if you edit the Program assignment for any one of these staves, the Program for all of them will change.
If you’ve assigned several staves to the same instrument, remember that they’re all linked to the same MIDI channel. Therefore, if you edit the channel assignment for any one of these staves, all of them will change to match. (If you truly want a staff to have an independent MIDI channel, first assign it to a new instrument.)
See also:
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