 , and double-click the measure where the time will change. 
 The Time Signature dialog box appears.
, and double-click the measure where the time will change. 
 The Time Signature dialog box appears.The way 
 you define your meter is important, because it also governs beaming. In 
 the case of cut time, for example, you should set the scroll bars so that 
 the display shows two half notes, meaning that the eighth notes will be 
 beamed together in groups of four. This is particularly important when 
 you’re working in  time or other compound meter; 
 if you “spell” the time signature as a string of six eighth notes, SongWriter 
 won’t perform any automatic eighth-note beaming, as shown below (top example). 
 If you “spell” it as two dotted quarter notes, however, SongWriter will 
 beam eighth notes in groups of three (bottom example).
 time or other compound meter; 
 if you “spell” the time signature as a string of six eighth notes, SongWriter 
 won’t perform any automatic eighth-note beaming, as shown below (top example). 
 If you “spell” it as two dotted quarter notes, however, SongWriter will 
 beam eighth notes in groups of three (bottom example).
             
        
Unless you tell it otherwise, SongWriter 
 displays the common-time symbol  instead of
 instead of  , and the cut-time symbol
, and the cut-time symbol 
  instead of
 instead of  .
.
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