In Finale, a backbeat is the second half 
 of the beat (in duple meters); thus the second eighth note of every beat 
 in  or
 or  time (or the second quarter note in
 time (or the second quarter note in  time) 
 is the backbeat. In triple meters, the last two thirds of the beat are 
 the backbeats. In both cases, “beat” is determined by the durational 
 value of the denominator in the Time Signature dialog box. The backbeats 
 of a
  time) 
 is the backbeat. In triple meters, the last two thirds of the beat are 
 the backbeats. In both cases, “beat” is determined by the durational 
 value of the denominator in the Time Signature dialog box. The backbeats 
 of a  meter 
 could either be the second eighth note of each beat (if you represented 
 the meter with three quarter notes in the Time Signature dialog box) or 
 the second and third quarter notes of the measure (if you represented 
 the meter as a dotted half note in the Time Signature dialog box). See 
 Time 
 signatures for more information on defining meters.
  meter 
 could either be the second eighth note of each beat (if you represented 
 the meter with three quarter notes in the Time Signature dialog box) or 
 the second and third quarter notes of the measure (if you represented 
 the meter as a dotted half note in the Time Signature dialog box). See 
 Time 
 signatures for more information on defining meters.
You can use the MIDI tool to affect only the backbeats of a piece. You might, for example, boost the velocity of the backbeats to give the music a rockier sound. If you’re preparing a Strauss waltz for playback, you could delay the attacks of the backbeats for a slightly more Viennese feeling.
             
        
A downbeat is the first beat of the measure. A backbeat is the second half of the beat (or, in a triple meter, the second and third of the beat). An Other beat is any other beat, where a “beat” is defined as the lower half of the time signature (a quarter note in the top example, a half note in the next, and a dotted half note in the bottom example).
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